History of Experimental Film

HART381-01

Start Date

06/23

Time

End Date

08/08

Meeting Day

Online asynchronous class, no scheduled meeting days and times

Credits

3

In this course we trace the physical, physiological, and psychological investigations of experimental filmmakers over the last seventy years. Studying these three trajectories-matter, body, and mind-reveals “film” to be a complex interplay between what Paul Sharits described in 1969 as “celluloid, two-dimensional strips; individual rectangular frames; the nature of sprockets and emulsion; projector operations; the three-dimensional light beam; environmental illumination; the two-dimensional reflective screen surface; the retinal screen; optic nerve and individual psycho-physical subjectivities and consciousness.” Students watch at least two hours of experimental film each week in preparation for classroom discussion. In addition to viewing the films themselves, students analyze several kinds of written accounts-by artists, by critics, and by historians-surrounding experimental film practices from 1945 to the present.

This online class uses the Moodle platform. Students will follow a syllabus that includes the lectures, assignments, and deadlines.

The instructions and login credentials for accessing MassArt technology services will be sent to registered students.

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Adrian Kohn

Adrian Kohn teaches courses in the history and theory of modern / contemporary art, video art, and experimental film. Recent publications include essays on Larry Bell, John Chamberlain, Jan Frank, Donald Judd, Robert Irwin, and Kim Guiline. He is Professor in History of Art at Massachusetts College of Art and Design and holds a PhD … Read more