Modernism to Postmodernism: Art since 1970

HART253-02/HART553-02

Start Date

01/06

Time

Format

Remote

End Date

01/17

Meeting Day

Credits

3

This course will explore the transition from modernist thought as exemplified by the Abstract Expressionist movement to such postmodern notions of appropriation, parody, and fragmentation as they manifest themselves in the art of the 1970s and beyond. We will focus on such concepts and genres as minimalism, performance, video, installation and site-specific art, gender, sexuality and politics in the work of artists like Donald Judd, Richard Serra, Bruce Nauman, Cindy Sherman, Barbara Kruger, Robert Mapplethorpe, Keith Haring, Bill Viola, Jeff Koons, Tracey Emin, Mona Hatoum, William Kentridge, Andy Goldsworthy, Marina Abramovic, Matthew Barney and others.

MassArt BFA students prerequisites: HART 100 or HART 101.

This class uses the Moodle platform. There are no meeting times, but students will follow a syllabus that includes the lectures, assignments, and deadlines.

The instructions and login credentials for accessing MassArt technology services will be sent to registered students.

****Registration for this class closes at noon on Friday, January 3rd.

Adrian Kohn

Adrian Kohn teaches courses in the history and theory of modern / contemporary art, video art, and experimental film. Recent publications include essays on Larry Bell, John Chamberlain, Jan Frank, Donald Judd, Robert Irwin, and Kim Guiline. He is Professor in History of Art at Massachusetts College of Art and Design and holds a PhD … Read more