| Course |
Instructor |
Dates |
Days |
Time |
Location |
Cr |
Fee |
Register |
2DPA100 Introduction to Painting (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
Begin painting in this exploration of new and traditional directions and techniques. The basis of the course is studio work, primarily working in oil and includes use of models, as well as lectures and demonstrations. Color and composition theory, and the study of form, space, and light are addressed. Previous experience with drawing is helpful. ABOUT THE INSTRUCTOR
Christopher Chippendale is an observational painter who has been teaching and exhibiting in New England for twenty years. He has also written critical essays on art and curated and juried numerous exhibitions. His awards include a St. Botolph Club Foundation grant and Blanche E. Colman Foundation award. He is a Professor in the painting department at MassArt and is represented by Soprafina Gallery. Chippendale holds a BA from Marlboro College, a BFA from MassArt, and an MFA from Boston University. SEE MORE INFO
christopherchippendale.com | C Chippendale | Sep 11-Dec 11 | Tu | 6:30-10p | Kennedy-510 | 3 | 960 | |
2DPA221 Renaissance Painting Techniques (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
A study of the process of making luminous paintings in the style of the Flemish masters (Hugo Vander Goes, the Van Eycks, Dirk Bouts). The first half is devoted to exercises for understanding stages of the technique: underpainting on a gesso ground, methods of applying layers of egg tempera, and oil resin glazes. Thereafter, students apply Renaissance techniques to their own subjects. No prerequisites. ABOUT THE INSTRUCTOR
David Small is a painter who holds a BFA from UMass Amherst and an MFA from MassArt. His work has been shown nationally and internationally. Exhibitions include: Mills Gallery at Boston Center for the Arts; Brockton Art Museum Triennial; Castle Scholz-Reichenau, Austria; Franklin Silverstone Gallery, Montreal; and Vanderbilt University. SEE MORE INFO
davidaddisonsmall.com | D Small | Sep 6-Dec 13 | Th | 6:30-10p | Kennedy-407 | 3 | 960 | |
2DPA317X Painting: Personal and Powerful (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
Designed for students who have some painting experience and wish to develop their work. Participants consider content, composition/format, color, surface, materials, and craft while exploring aspects of painting that interest them the most (e.g., experimentation with materials, conceptual and technical approaches, observational work). Individual attention and group discussions of student work and contemporary and historical painting practices enhance studio work. Assignments are tailored for those who want more structure or direction. Prerequisite: Introduction to Painting or equivalent. ABOUT THE INSTRUCTOR
Nancy McCarthy’s work is represented by the William-Scott Gallery in Provincetown. She holds a BFA from MassArt and an MFA from the Art Institute of Boston. Exhibitions include The Abbey, Brooklyn, NY; Manifest Drawing and Painting Center, Cincinnati, OH; Simmons College, Boston; Bromfield Gallery, Boston; MFA Circle Gallery, Annapolis, MD; First Street Gallery, NY; and Bowery Gallery, NY. Awards include: a 2009 St. Botolph Foundation Award, Artist’s Grant, Vermont Studio Center and a Ragdale Foundation Fellowship. SEE MORE INFO
nancymccarthy.net | N McCarthy | Sep 12-Dec 12 | W | 6:30-10p | Kennedy-510 | 3 | 960 | |
2DPA303 Painting: The Power of Observation (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
This course provides straightforward ways to develop painters’ powers of observation by reducing the visible to its simplest terms. The fundamentals (shape, value, angle and color) will be central throughout the semester. Color mixing using a specific palette (no earth colors) will be taught. The first five or six weeks will focus on still-life setups; the remaining weeks will be spent painting the model. One painting per week outside of class is required. Oil paint is the suggested medium. ABOUT THE INSTRUCTOR
Catherine Kehoe’s work is represented by the Howard Yezerski Gallery in Boston. Kehoe studied in the Yale Norfolk program and holds a BFA in painting from MassArt and an MFA in painting from Boston University. She is the recipient of a Pollock-Krasner grant, two Blanche Colman awards, a Berkshire Taconic ART grant, a St. Botolph Club Foundation grant and a Golden Foundation grant. SEE MORE INFO
catherinekehoe.com | C Kehoe | Sep 6-Dec 13 | Th | 6:30-10p | Kennedy-307 | 3 | 960 | |
2DPA333X Painting: Mixed Media (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
We investigate the use of a variety of materials and techniques in painting, emphasizing experimentation and alternative processes that integrate texture and sculptural relief in the work. Students will become familiar with both traditional and non-traditional materials, including water-based paints, plaster, found objects, encaustics, and recycled goods. Class discussions, demonstrations, and critiques complement studio time, and assignments aid each student’s individualized approach and direction. ABOUT THE INSTRUCTOR
Jacqueline Sylvia is a mixed media artist who holds two BA degrees from Rhode Island College and an MFA from MassArt. Her work has been exhibited in galleries, alternative spaces, and site-specific locations in Boston, Providence, New York, and Philadelphia. Jackie is a two time recipient of the Cirino Fellowship Award. SEE MORE INFO
jacquelinesylvia.name | J Sylvia | Sep 11-Dec 11 | Tu | 6:30-10p | Kennedy-407 | 3 | 960 | |
2DPA211 Abstract Painting (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
Through slide presentations, material demonstrations, readings, and critiques each student investigates ways to approach the language of abstraction in her/his own practice. Students are introduced to the theoretical and historical lineage of abstract painting, but emphasis is on contemporary abstraction. Prerequisites: previous drawing and painting experience or permission of instructor. ABOUT THE INSTRUCTOR
Kayla Mohammadi received her BFA from the University of Washington and MFA from Boston University. She shows nationally, and is currently part of a three person traveling exhibition entitled "Placing Color." Recent honors include a Joan Mitchell Award in painting, an artist-in-residence at St. Mary’s College in Maryland, and a juror position for the fall 2009 Boston Young Contemporary exhibition. She teaches at Brandeis University and has taught at Harvard University and Umass Boston. SEE MORE INFO
kaylamo.com | K Mohammadi | Sep 10-Dec 10 | M | 6:30-10p | Kennedy-307 | 3 | 960 | |
NC271 Seeing the Forest for the Trees (See special schedule)SPECIAL SCHEDULE
Fri: Sep14 (7-10p); Sat: Sep 22, 29 and Oct 6 (10a-5p) COURSE DESCRIPTION
Those who have painted outdoors many times or those doing so for the first time are welcome join this outdoor painting expedition meant to energize your painting practice. We’ll begin with a Friday evening meeting to view and discuss the work of contemporary and historical landscape painters along with issues, tools and procedures unique to painting outdoors. On the following 3 Saturdays we will be engaged with the color and light of the autumnal landscape at the Arnold Arboretum in Jamaica Plain. The focus is on simplifying complex vistas into shapes by seeing and recording the tonal and color-temperature relationships. A series of exercises will encourage rapid work with large brushes and palette knives. Some painting experience is required. ABOUT THE INSTRUCTOR
Nancy McCarthy’s work is represented by the William-Scott Gallery in Provincetown. She holds a BFA from MassArt and an MFA from the Art Institute of Boston. Exhibitions include The Abbey, Brooklyn, NY; Manifest Drawing and Painting Center, Cincinnati, OH; Simmons College, Boston; Bromfield Gallery, Boston; MFA Circle Gallery, Annapolis, MD; First Street Gallery, NY; and Bowery Gallery, NY. Awards include: a 2009 St. Botolph Foundation Award, Artist’s Grant, Vermont Studio Center and a Ragdale Foundation Fellowship. SEE MORE INFO
nancymccarthy.net | N McCarthy | Sep 14-Oct 6 | F & Sa | spec-spec | Kennedy-307 | 0 | 175 | |
NC274 Dynamic Still Life Painting WorkshopCOURSE DESCRIPTION
Where does a still life begin and end? Does a still life need to be still? We address the technical aspects of constructing a painting through composition as well as focus on the composition and the material of the still life itself. Working primarily with oil on canvas, we construct and tamper with our own set-ups to widen the scope of what is possible within the genre of still life painting. We consider subject matter, abundance, the notion of the common and the exquisite, trompe l’oeil, staging, theater, motion, and narrative as informative and inspirational elements in the work. We also discuss various texts on the subject matter of still life painting to enhance our understanding of the rich history of this often overlooked genre in art history. ABOUT THE INSTRUCTOR
Susan Metrican is an artist living in Boston whose work includes painting, sculpture and video. She has been exhibited nationally and internationally, from Thailand to Kansas, to Chicago, New York City and Boston. She recently curated Hung Jury at friend Street, Boston, and organized Press Play, Outdoor films at MassArt. Susan holds a BFA from Kansas City Art Institute, and an MFA from Massachusetts College of Art and Design. SEE MORE INFO
www.susanmetrican.com | S Metrican | Sep 13-Nov 1 | Th | 6:30-10p | Kennedy-510 | 0 | 375 | |
NC864 Introduction to Mosaics WorkshopCOURSE DESCRIPTION
An in-depth experience with mosaic design, fabrication, and mounting practices. Each participant will create a mosaic with traditional Mexican glass smalti. Students will design, fabricate and grout a 8" x 8" mosaic. They will gain experience with the unique design potential of this medium and learn more about its rich history. Students should bring photos, books, and sketches as inspiration for their mosaic designs. In addition, the instructor will share her recent experiences with large public and private art commissions for tile and mosaic projects. ABOUT THE INSTRUCTOR
Lisa Houck has been working as an artist in the Boston area for over 30 years. She works in a number of media, including etching, watercolor, handmade paper, oil on wood, and mosaic. She has recently created a 22’ long mosaic mural for a new park in Boston, the Frieda Garcia Park. Houck holds a BFA from Rhode Island School of Design, and an MFA from the School of the Museum of Fine Arts, Boston/Tufts University. Her work is in numerous corporate and private collections including Children’s Hospital, Boston and the Museum of Fine Arts, Boston. SEE MORE INFO
www.lisahouck.com | L Houck | Nov 17-Nov 18 | Sa & Su | 10a-4p | Tower-605 | 0 | 265 | |
NC847 Japanese Woodblock Printing WorkshopCOURSE DESCRIPTION
We will carve wood blocks and ink them with watercolors and nori paste to create painterly gradations of color called bokashi. Students will create two and three color prints and experiment with a variety of Japanese papers. This non-toxic print medium is colorful and subtle, and allows for transparent washes of color as well as detailed textures and wood grain. ABOUT THE INSTRUCTOR
Lisa Houck has been working as an artist in the Boston area for over 30 years. She works in a number of media, including etching, watercolor, handmade paper, oil on wood, and mosaic. She has recently created a 22’ long mosaic mural for a new park in Boston, the Frieda Garcia Park. Houck holds a BFA from Rhode Island School of Design, and an MFA from the School of the Museum of Fine Arts, Boston/Tufts University. Her work is in numerous corporate and private collections including Children’s Hospital, Boston and the Museum of Fine Arts, Boston. SEE MORE INFO
www.lisahouck.com | L Houck | Oct 20-Oct 21 | Sa & Su | 10a-4p | Tower-613 | 0 | 265 | |
| The following courses may be taken for Graduate Credit: |
2DPA317X Painting: Personal and Powerful (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
Designed for students who have some painting experience and wish to develop their work. Participants consider content, composition/format, color, surface, materials, and craft while exploring aspects of painting that interest them the most (e.g., experimentation with materials, conceptual and technical approaches, observational work). Individual attention and group discussions of student work and contemporary and historical painting practices enhance studio work. Assignments are tailored for those who want more structure or direction. Prerequisite: Introduction to Painting or equivalent. ABOUT THE INSTRUCTOR
Nancy McCarthy’s work is represented by the William-Scott Gallery in Provincetown. She holds a BFA from MassArt and an MFA from the Art Institute of Boston. Exhibitions include The Abbey, Brooklyn, NY; Manifest Drawing and Painting Center, Cincinnati, OH; Simmons College, Boston; Bromfield Gallery, Boston; MFA Circle Gallery, Annapolis, MD; First Street Gallery, NY; and Bowery Gallery, NY. Awards include: a 2009 St. Botolph Foundation Award, Artist’s Grant, Vermont Studio Center and a Ragdale Foundation Fellowship. SEE MORE INFO
nancymccarthy.net | N McCarthy | Sep 12-Dec 12 | W | 6:30-10p | Kennedy-510 | 3 | 1860 | |
2DPA303 Painting: The Power of Observation (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
This course provides straightforward ways to develop painters’ powers of observation by reducing the visible to its simplest terms. The fundamentals (shape, value, angle and color) will be central throughout the semester. Color mixing using a specific palette (no earth colors) will be taught. The first five or six weeks will focus on still-life setups; the remaining weeks will be spent painting the model. One painting per week outside of class is required. Oil paint is the suggested medium. ABOUT THE INSTRUCTOR
Catherine Kehoe’s work is represented by the Howard Yezerski Gallery in Boston. Kehoe studied in the Yale Norfolk program and holds a BFA in painting from MassArt and an MFA in painting from Boston University. She is the recipient of a Pollock-Krasner grant, two Blanche Colman awards, a Berkshire Taconic ART grant, a St. Botolph Club Foundation grant and a Golden Foundation grant. SEE MORE INFO
catherinekehoe.com | C Kehoe | Sep 6-Dec 13 | Th | 6:30-10p | Kennedy-307 | 3 | 1860 | |
2DPA333X Painting: Mixed Media (See special schedule)SPECIAL SCHEDULE
and 1 Sat tba COURSE DESCRIPTION
We investigate the use of a variety of materials and techniques in painting, emphasizing experimentation and alternative processes that integrate texture and sculptural relief in the work. Students will become familiar with both traditional and non-traditional materials, including water-based paints, plaster, found objects, encaustics, and recycled goods. Class discussions, demonstrations, and critiques complement studio time, and assignments aid each student’s individualized approach and direction. ABOUT THE INSTRUCTOR
Jacqueline Sylvia is a mixed media artist who holds two BA degrees from Rhode Island College and an MFA from MassArt. Her work has been exhibited in galleries, alternative spaces, and site-specific locations in Boston, Providence, New York, and Philadelphia. Jackie is a two time recipient of the Cirino Fellowship Award. SEE MORE INFO
jacquelinesylvia.name | J Sylvia | Sep 11-Dec 11 | Tu | 6:30-10p | Kennedy-407 | 3 | 1860 | |
